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| The Sociological Structure Of Iraqi Regenerative Poetry And Media Discourse As Seen By The Critical Theory Of Analysis And Upgrading. |
Saad A. Al - Saadi , Iraq
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Abstract:
This research briefly deals with the role of the poet as the owner of a media message, and the extent to which it is affected by societal and other factors in building and forming a text that is, in fact, the poetic poems that stem from his concerns, and how he communicates that message in the shortest way to the receiver in order to influence him emotionally and behaviorally considering that the two parties live together under the same shadow circumstances. After that, we know that the many impulses that generated a poem during the renewal phase helped to form a media-poetic language as a new discourse that carries the characteristics of the stage with meanings and aesthetic in which the poet moved away from the past, but remained under the weight of daily suffering and he wrote it as a poem, except for some who do not live reality and the pain of society because they all think that the mire of imagination and conceive is the effective solution, and society is only an illusion covered by dreams, so their messages (poems) have lost their great influence on society as a superstructure in which the poet does not care about anything other than spinning as a discourse, and from there the fragility of this discourse or its opposite effect is evident.
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