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| Production of Painting and Drawing Tools Using Emboobo (Cow Tail Fibre) For Painting Purpose at Metropolitan International University
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Nakuya Judith Babirye, Dr Ariyo Gracious Kazaara, Kamugisha Nelson, Tukamuhebwa Deus
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Abstract:
At Metropolitan International University, this work was an attempt to create painting and sketching tools utilizing emboobo (cow tail fiber). In order to determine how technology affects painting and drawing, to analyze and record the techniques and tools used for painting and drawing purposes, and to produce and install painting tools for painting and drawing purposes at Metropolitan International University, the research scientist went ahead and examined how technology has influenced the works of art and documented about techniques, tools, production, and setup of painting tools at MIU. The sample size was fifty respondents, and the approach used was both descriptive and explanatory in nature. The researcher employed interview questions, interview guides, and studio explorations conducted in the Masaka district for data collecting. Talks came to a close in the studio, and it was noted that Metropolitan International University was interested in the paint tools developed, but that no real effort had been made to build the paintings tools from indigenous materials (emboobo). According to the results in the table above, respondents with bachelor's degrees made up 60% of all respondents. These were followed by respondents with master's degrees, who took 20%, responders with secondary-level education, who took 20%, and respondents with early schools, who took 10%. This demonstrated how highly educated the respondents were. Because the respondents were able to read and understand the surveys as they were presented, it was assumed that their responses were accurate in this case. Also, this meant that the degree of comprehension of the major issues raised by the study and the capacity to apply them to actual situations had a crucial role in determining the research's course. Artists should always create works of art that depict identity connotations so that members of the community can have a sense of aesthetic and creative association.
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