|
|
| |
| Production of Paintings Inspired By Disabled Visual Artists for Self-Identity among Young Disabled Artists a Case Study of Rubaga Division, Kampala
Download PDF
|
TASABA HUBAIB
|
Abstract:
Individuals without disabilities create art on a global scale, but in Uganda, the growth of visual art by people with disabilities has not been a seamless stream. A significant portion of the evolution of conventional, modern, and modern artwork has been contributed by disabled artists. As Uganda's visual arts scene evolves, disabled artists are increasingly being left out of the recording and appreciation of the discipline, despite the fact that their work is as important as that of their counterparts who are able-bodied. Findings indicate that a significant portion of disabled artists (up-and-coming) who work in the visual arts are not given adequate documentation. So that they might be motivated with a sense of one's identity that Impairment is not Lack of ability and desire to inspire in the popular practice of Visual Art in Uganda and the rest of the globe, the forthcoming underprivileged Disabled Artists had to be investigated and canvases motivated by them must have been made by the investigator. I used primary as well as secondary information to study the three research objectives through a vivid ethnographic story. through a survey, field notes, personal conversations, and interactions with those who were important to the purpose of this study. Literature-based sources, including books, journals, research papers, magazines, and the internet, were used to gather secondary data.
|
|
|
| | |