Abstract:
This paper delves into William Carlos Williams' poem "This is Just to Say" employing four levels of stylistic analysis: phonological, morphological, graphological, and lexico-syntactic. At the phonological level, attention is given to the poem's rhythm, the use of alliteration, and the arrangement of sounds and words in the poem. The repetition of sounds and the use of simple, everyday language contribute to its musicality. At the Morphological level, the use of derivational and inflectional affixes is present. The structure and formation of words are also examined. Williams uses concise and straightforward language, with primarily monosyllabic words, contributing to the poem's accessibility and clarity. The brevity of the lines mirrors the brevity of the apology being offered in the poem. On the other hand, the typography which consists of informal tone and layout is explained in the Graphological level. It is revealed at this level that the author does not use any punctuation marks. The poem's short lines and lack of punctuation create a sense of rhythm and flow, enhancing its oral quality. Lastly, through the identification of different figures of speech, the author conveyed his poem in an artful way which is analyzed at the Lexico-syntactic level. The lack of complex syntax mirrors the directness of the speaker's confession. The simplicity of the language belies the complexity of human relationships and the emotions involved in admitting wrongdoing. By dissecting the poem "This is Just to Say" through these four lenses, this study offers a comprehensive understanding of William Carlos Williams' stylistic craftsmanship and the deeper layers of meaning embedded within the poem.
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